Twitter and Goliath

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This was posted April 13, 2009 on my blog “Positively Media” at Psychology Today.

First it was “Dell Hell” and now it is “#AmazonFail.” For all the debates over the purpose, point, and value of social media, it is events like these that illustrate how important they have become and how powerful they can be.

“Dell Hell” is one of the iconic stories in the history of social media sending an emphatic message that consumers have a new power. In June 2005, blogger Jeff Jarvis shared his less than satisfactory experience with Dell’s customer service on his blog “Buzz Machine” with the title “Dell Hell.” (This story is documented in a number of places, including the books Groundswell and Citizen Marketers, both quite interesting.)  The reach of Jarvis’ blog got his story out there, but the fact that his experience resonated with so many other Dell customers coupled with the system properties of the Internet sent the story viral, ending up not only all over the web but in the New York Times and Business Week. Dell had quite a wake-up call that resulted in substantial internal changes.2009-04-13-amazon-failwhale

To quote Yogi Berra, we’re having déjà vu all over again and Amazon gets to learn Dell’s lesson.

For those of you who haven’t been following the Amazon story, the company recently revised its ranking system. The system, like Google’s search algorithms, causes search results to be based not just on content match but also on popularity. An Amazon ranking is very important to authors because it allows their titles to appear on bestseller lists.

The furor began on Live Journal, when author Mark Probst noticed that the ranking had been removed from his young-adult novel with a gay character. As Probst remarked in his blog, he checked other gay titles and found that they too had been de-ranked. The story on his blog was picked up and reported on Twitter with the hashtag #amazon fail. (The hashtag is an identifier that tags Twitter posts to make them searchable.) Twitters and retweets (resending someone’s tweet) spread the information that Amazon had stripped the sales ranking from adult content (no pun intended). Although the de-ranking was intended to be targeted at all adult content, the result was the deletion of rankings from hundreds of gay and lesbian books while overlooking quite a bit of heterosexual lit-porn. The story and outrage reverberated through Twitter with #amazonfail quickly becoming the number one word on Twitter.

People began to collect lists of books of questionable content. Carolyn Kellogg on the The LA Times blog Jacket Copy reported that the sadistic murder story “American Psycho” remained ranked while the well-reviewed nonfiction work “Unfriendly Fire,” about the scoial costs of the current gay ban in the military, lost theirs. An online petition ensued.

New tools in the distribution arsenal since Dell’s misadventure, such as Google Bombs, were organized and deployed. Google bombs are a collective effort of people to link to specific words so that they disrupt the Google search and come up first. In this case the words are “Amazon Rank,” taking searchers to an explanation of Amazon’s transgression. The story of Amazon Rank reached epic proportions in little over a day.

Amazon reported that this was an unfortunate computer error. Many, but not all, are skeptical. At the least, this episode has raised issues about Amazon’s control and the transparency of the de-ranking process. Either way, social media has scored another victory for the little guy by proving that individuals have a voice and can make a difference.

The moral of the story is that the power has shifted from a one-to-many to many-to-many model, as Clay Shirky discusses in Here Comes Everybody. This means that not just as customers, but as citizens, we can and do get involved and make our voices heard in response to perceived abuses of power. The conversation can go global at any time and it just doesn’t matter anymore who starts it. Because of the way we, are tied together as nodes in a system, something as innocuous as a Tweet can trigger a cascade of information across the network. That one Twitterer now has the potential to create social change.

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Hang in There Jack: A Case Study in Cross-Platform Digital Storytelling

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Why would someone use television ads, billboards, and print to drive people to online and social media sites?

1) For the right audience, social media has lots of advantages, speed of dissemination, trust, interaction, expectations, collaboration, and emotional investment in user-generated content, engagement, curiosity, or
2) you are trying to look very hip and don’t care if it motivates action.

The ‘Hang in there Jack’ campaign is one very effective example. It successfully crosses from traditional media to the Internet (Hangintherejack.com) and social media applications such as Facebook, Flickr, and Twitter and invites a relationship with the user by encouraging user-generated content via different avenues: comments, videos, text messages, and snail mail get well cards. By doing this, it shifts the focus of the advertising message from the company (Jack in the Box, Inc.) to the user. Jack is now the vehicle for dissemination not the primary message. The hand-off from individual to individual via these various applications gives Jack’s storyline a sustainability and a patina of authenticity that could not happen with a direct ad campaign.


Demographically, this campaign will appeal most to users who are young or early adopters (Pew Internet Report : Use of Twitter is about 20% until you hit 34, then it starts dropping off steadily to 10% of 35 to 44 year olds and 5% of 45 to 54 year olds using Twitter. It’s down to 2% by the time you hit 65.)   Over half the Internet population is under 44; although there is growth across all age groups. The interesting thing about these stats combined with the emphasis on the ‘Get Well Jack’ videos is that downloading videos is growing in popularity across all ages. And I’m quite confident that Jack made these marketing decisions knowing the demographics of his customer base.

Jack has created (and I hate to use this word) buzz by successfully integrating multiple media applications and platforms.  There really is something for everyone in the mix. In the new media environment, integration is key and the envelope will  continue to be pushed.  I wonder, will we see a mobile Jack app beyond texting? Is there an integration between the physical sites to the web/social network sites, like streaming video where people in a Jack in the Box can send their message to Jack, or coupons sent to people who submit videos to the site?   If there isn’t already, there should be.

Personally, I’d like to see Jack in the Box extend this campaign and direct their customers to send messages to real people in real hospitals who could use some emotional support and cheering up. That would create tangible social capital for their brand by converting playful enthusiasm into empathy and awareness of others.

Is there potential downside? Probably not. The questions I would have asked during planning are: Will the story play out in a way that meets the expectations of the fans? Will the narrative stay fresh or will people will get bored and move on? Can we continue to drive it into new applications and create new linkages? Is the story line a little morbid (especially in this economy)? Will it alienate people who don’t want to watch someone in a hospital bed? Or those digital immigrants who them feel out of it and irrelevant with new technology?

The sales numbers and interest level will be interesting to track. I will resist any urge to mention boxes in relation to thinking, but Jack has created a good case study here.

Photos from http://www.hangintherejack.com
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New Communication Rules Bring New Communication Careers

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Newsweek‘s Technology Section has an article called “Twitter, Unmasked: Who is really writing all those Tweets? Professional microbloggers.” This article  underscores the importance of looking at new media with an open-mind. Too many people I know, when faced with media that is not indigenous to their technological coming of age, spend way too long explaining why something isn’t important (or worse, is dangerous) without trying to their outside their initial reaction and looking to see how the technology is being used and experienced.   As a media psychologist, I’m kind of fixated on that experience thing.

Piles of psychological research shows that humans are social animals that need to be connected to others, and, among other things, that interpersonal connections are essential for mental and physical health, and that different people have different connection styles.  A lot of people fretted and tried to prove that Web 2.0 technology was going to isolate people and deprive them of their social skill repertoire.  With interpersonal connections such a big theme in human lives, why are so many people surprised to find out that social networks, like Twitter and Facebook, become real connections, even 140 characters at a time? These  social connections have enormous impact on how information is passed along and how trust and credibility is established, but by entirely new routes and rules.  The Newsweek article says:

While some microbloggers are who they say they are, plenty of celeb feeds (Ryan Seacrest’s, U.K. Prime Minister Gordon Brown’s, Barack Obama’s) are actually being penned by folks like the one Spears sought out. And the skills she required—experience launching online communities, addiction to MySpace and Facebook, graphic design experience, and a love for “creating relationships”—are the same ones companies need as they venture onto Twitter. That explains why, on the corporate side, business are relying on in-house publicists, marketing managers and new professional blogging firms like Twit4hire to helm their accounts.

The article excerpt show how how professions will emerge in response to technological innovation. (Twit4Hire may be the best name of all time.) Parents need to embrace the idea that when kids say they don’t know what they want to be when they grow up, they mean it; they don’t even know what the choices will be.

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